Edinburgh Playhouse

Nestled majestically on Edinburgh's iconic Lothian Road, the Edinburgh Playhouse stands not merely as a building, but as a pulsating heart within the city's vibrant cultural landscape. More than just a theatre, it is a grand dame of entertainment, a historic landmark that has witnessed the evolution of performance and captivated generations with its opulent interiors and diverse programming. From touring West End blockbusters and celebrated ballet productions to electrifying rock concerts and stand-up comedy, the Playhouse offers an unparalleled sense of occasion. Stepping through its doors is an immediate immersion into an atmosphere of theatrical grandeur, where the very air seems to hum with the echoes of countless memorable performances. Its unique selling proposition lies in its breathtaking Art Deco architecture, a testament to a bygone era of cinematic and theatrical splendor, which imbues every event held within its hallowed walls with a distinct and enduring magic.

The Edinburgh Playhouse’s story begins not with live music or theatre as we know it today, but with the silver screen. Originally conceived as a lavish cinema, its foundations were laid in the late 1920s, a period when cinema was rapidly ascending as the dominant form of popular entertainment. Designed by the renowned architectural firm of John Fairley and Reginald E. Clark, the theatre opened its doors on 11th October 1927, under the ownership of the Provincial Cinematograph Theatres (PCT). The design was a magnificent fusion of Art Deco and Baroque influences, a style that sought to transport patrons to realms of fantasy and opulence.

The interior was a masterpiece of its time, featuring a grand proscenium arch, gilded detailing, plush velvet seating, and intricate plasterwork. The main auditorium itself was a cavernous space, designed to accommodate vast audiences in lavish comfort. During its early years as a cinema, the Playhouse hosted premieres and showcased the latest cinematic marvels, quickly establishing itself as a premier entertainment destination in the Scottish capital. The sheer scale and artistic ambition of its design set it apart, creating an environment that felt both grand and intimately inviting.

The transition from a cinema to a multi-purpose live performance venue marked a significant turning point in the Playhouse's history. While it continued to show films for a time, the advent of television and changing cinema-going habits prompted a shift in its operational focus. In the 1970s, the theatre began to embrace a broader spectrum of live entertainment. It was during this era that the Playhouse started to host major touring stage shows, opera, ballet, and, crucially for its evolving identity, large-scale music concerts.

This diversification was pivotal. It allowed the Playhouse to tap into the burgeoning live music scene of the late 20th century, offering a venue that could accommodate acts with a significant following while retaining the sophisticated atmosphere its architecture provided. The sheer capacity and acoustics, though originally designed for cinematic sound, proved remarkably adaptable to the amplification of live bands. This dual identity – a historic cinematic palace that also served as a premier venue for contemporary live performances – solidified its unique position within Edinburgh. The Playhouse became synonymous with grand productions and impactful musical performances, cementing its status as a cultural cornerstone of the city.

The Edinburgh Playhouse’s Art Deco grandeur has provided a spectacular backdrop for an astonishing array of musical legends and unforgettable shows. Its ability to host both intimate theatrical experiences and large-scale rock concerts is a testament to its versatility and enduring appeal. While the exact billing of performances can be vast, certain nights stand out in the venue's rich history, often amplified by the breathtaking setting.

• Queen (1979): Freddie Mercury and his band delivered a legendary performance at the Playhouse, the sheer energy of their set reverberating through the opulent theatre, solidifying its status as a premier rock venue.
• The Rolling Stones (1973): Before their global superstardom cemented them in larger arenas, The Stones played at the Playhouse, a testament to its importance in the touring circuit during the early 70s.
• David Bowie (1976): While specific dates can be elusive, Bowie’s connection to Edinburgh and the Playhouse is undeniable, with the theatre often hosting artists of his calibre during his transformative periods.
• Elton John (Multiple Dates, notably early 1970s): The Rocket Man graced the Playhouse stage on numerous occasions, his flamboyant performances a perfect match for the theatre's theatrical flair.
• Genesis (1978): Phil Collins and co. brought their intricate progressive rock to the Playhouse, showcasing the venue's capacity to handle complex and powerful live acts.

Beyond these musical giants, the Playhouse has also been a consistent home for major touring theatre productions, including Andrew Lloyd Webber's musicals, major ballet companies, and iconic plays, all benefiting from the theatre's magnificent acoustics and unparalleled ambiance. The venue's Art Deco design is not just a visual feast; it contributes significantly to the sonic experience, creating a unique sense of immersion that makes any performance feel like a truly special event. This architectural elegance, the very essence of the Playhouse's unique selling proposition, ensures that every concert, play, or musical feels like a grand occasion, a sentiment echoed by many who have experienced its magic.

The Edinburgh Playhouse is committed to making its performances accessible to all patrons.

• Wheelchair Access: Accessible seating is available for wheelchair users and their companions in various locations within the auditorium. These spaces offer good sightlines and convenient access. It is essential to book accessible tickets in advance to ensure availability.
• Assistance Dogs: Assistance dogs are welcome in the auditorium. Please inform the box office when booking your tickets if you plan to bring an assistance dog.
• Hearing Impairment: Induction loop systems are available in the auditorium. Patrons can also arrange to use a headset for amplified sound – please inquire at the venue when booking.
• Visual Impairment: Guide dogs are welcome, and assistance with guidance from the entrance to seats can be arranged. Audio description performances are often scheduled for select shows; check the venue's schedule for details.
• Step-Free Access: Lifts are available to all levels of the theatre, including seating areas. Accessible toilets are also available on all levels.

Please contact the Edinburgh Playhouse box office directly to discuss specific accessibility requirements or to book accessible seating.

• Door Times: Doors typically open approximately 30-60 minutes before the scheduled performance start time. However, this can vary depending on the type of event and the specific production. It is advisable to check your ticket or the venue's website for the most accurate door times on the day of your visit.
• Age Restrictions: Age restrictions can vary significantly depending on the performance. Some shows may be suitable for all ages, while others might have a minimum age requirement (e.g., 14+, 16+, 18+). Please check the specific event details when purchasing tickets. Children under the age of 3 are generally not permitted into the auditorium.
• Bag Policy: Large bags and rucksacks are generally not permitted inside the auditorium. There may be a cloakroom available for storing such items, but it is advisable to travel as light as possible. Smaller handbags are usually allowed.
• Security: For the safety of all patrons and performers, bag checks may be in operation upon entry. Patrons are advised to arrive in good time to allow for security procedures.
• Photography Rules: The use of cameras, including mobile phones for photography or videography, is strictly prohibited inside the auditorium during performances unless otherwise stated. Encore photos may be permitted at the discretion of the event promoter.